Category Archives: World War I

Celebrating the mothers of 1919 with carnations, songs, and guilt

Mother’s Day 1919 was dedicated to the mothers whose sons fought for freedom. President Wilson decreed that flags be flown at all government buildings (wasn’t this done normally back then?) and requested that people fly the flag at their homes “as a public expression of our love and reverence for the mothers of the country.”  The carnation was the flower of the day, the New York Times said–“white carnations for a mother dead, and pink ones for those who are still the center of the home.”

New York Times headline, To Honor Mothers Today - President Orders Flag Flown...

New York Times, May 11, 1919

President Wilson called on America’s soldiers to write to their mothers. The order made its way down the line in messages from Secretary of War Newton Baker

1919 telegram instructing soldiers to write to their mothers on Mother's Day

and up-and-coming Acting Secretary of the Navy Franklin Roosevelt.

Telegram from Acting Secretary of the Navy Franklin Roosevelt about Mother's Day 1919

National Archives (Identifier 6283187)

If penning a few sentences to Mom was just too hard, maybe because you were busy saying good-bye to your little French mother,*

Norman Rockwell drawing of soldier saying goodbye to French family, Life magazine, 1919

Norman Rockwell, Life magazine, March 13, 1919

or because you didn’t know how to read and write,** you could just copy off of this handy-dandy flyer. I wonder how many mothers scratched their heads and asked, “Who’s Timmy?”

Flier from Red Cross et all. with suggested language for soldiers' Mother's Day postcards.

Red Cross et al., 1919

I was going to suggest that we celebrate the mothers of 1919 with this song,

but luckily I listened to the words first. It starts out as you’d expect: the singer misses Mammy down south, is feeling blue, kisses her picture every night, etc. Then comes this spoken verse:

When I was bad and started crying
Remember how you laid me across your lap?
Mammy, ain’t no use denying
You sure swung a wicked strap.

The song ends with the singer saying that she’s been too busy to write, and that

There’s only just one thing keeping me
From being with you all down there.

If you’re anxious to see your honey-lamb, Mammy,
Send me up my fare.

What???

Sheet music cover for Mammy o' Mine

A little research confirmed that, in its original version, “Mammy o’ Mine” doesn’t devolve into a joke. It’s just about missing Mammy. The song was written by 20-year-old African-American composer Maceo Pinkard, and it was his first big hit.*** Many more were to come, including “Sweet Georgia Brown.” Pincard later helped Duke Ellington break into show business, introducing him to important Tin Pan Alley figures (including his future manager), and arranging his first recording session.

Pincard and his song deserves a more respectful rendition. So do the moms of 1919, and the moms of today. Let’s celebrate them, instead, with this version by Harry Yerkes, an early proponent of jazz and blues.

Happy Mother’s Day!

*Here’s another Rockwell mom cover, from April. It doesn’t have a title as far as I know, so I’m calling it “Back off, Mom!” (Update 6/10/2019: It’s called “Boy Musician.” I like my title better.)

Norman Rockwell American magazine cover, May 1919, boy playing flute, pained mother behind

More about little French mothers here.

**Which is quite possible. There were a number of tests to judge soldiers’ literacy, such as the Devens Literacy Test, which asked Dada-esque questions like “Is a guitar a kind of disease?” and “Do vagrants commonly possess immaculate cravats?” You can take it yourself here.

***The melody, that is. The words were written by prolific Tin Pan Alley lyricist William Tracey, who would go on to collaborate with Pincard on a number of other songs.

April 1919 Ladies’ Home Journal ads: a riot of color for spring

I’ve been busy with non-blog-related writing projects lately, and over Easter weekend I found myself feeling homesick for 100-year-old artwork. So I looked through the April 1919 issue of Ladies’ Home Journal in search of some springtime color.

I found it in abundance. With wartime paper restrictions lifted, the magazine had swollen to 190 pages, up from 128 in April 1918, and the number of pages in color had increased from 30 to 50. As usual, the best part of the magazine was the ads.*

The women of 1919 were hard at work, cleaning up their (or their employers’) homes,

1919 O-Cedar polish ad with woman playing piano, living room, and woman cleaning.

choosing summer fabrics,

1919 Lux soap ad, How to Choose Summer Fabrics, woman looking at fabric.

and cooking disgusting-looking food,

1919 Libby's salad dressing ad with illustrations of food.

1010 Argo cornstarch ad, illustration of cake.

maybe for a big party

1919 Columbia Grafonola ad with illustration of party.

at which people would stay all night, dancing to dashing music that sets a swift and joyous pace.

For more simple fare, there’s delicious-looking bread

Yeast Foam ad, illustration of three loaves of bread.

and Cream of Wheat.**

In an ad for Nashua woolnap blankets, the child is, for a change, not packing heat.

1919 Nashua woolen blankets ad with girl lying in bed with dolls and grandmother sitting on bed.

Soap and perfume ads feature rich people

1919 Mavis perfume ad, woman on stairs in mansion, footmen.

and Japanese people***

Jap Rose soap ad, Japanese women with parasol.

and the Middle Eastern oasis where Palmolive soap was born.

Palmolive soap ad, man with women in harem clothing.

Fairies leap out of cars

and flitter around****

Djer-kiss perfume ad, illustration of fairies.

and chewing gum ingredients appear to movie stars in crystal balls.*****

1919 California fruit gum ad, woman holding globe with fruit inside.

The war was over and the world was celebrating.

1919 Uneeda Biscuit ad with slogan Peace and Plenty, illustration of cornucopia.

Then I saw this ad, drawn by Coles Phillips.

1919 ad for Luxite hosiery. Woman with dress blowing, showing hose, standing with man in wheelchair.

It’s been haunting me, a reminder–in a hosiery ad!–that peace, for some, came at a terrible price.

Not to end on too sad a note, there were signs of social progress. The young woman in this Lady Sealpax ad leaps joyfully, wearing underwear that gives her “the same ‘Free as the Air’ feeling that ‘brother’ enjoys.” Cast off those corsets, so constraining to your golfing or nursing! The Roaring Twenties are on the way.

Lady Sealpax underwear ad, leaping woman in underwear under golfer, nurse, and other women.

*The best illustrations, anyway. There are also a lot of surprisingly feminist articles that I haven’t had a chance to read yet.

**The model for the photograph on the poster was, apparently, Frank L. White, who was born in Barbados and was working as a master chef in Chicago when it was taken. It’s still used on the Cream of Wheat box today. (I say “apparently” because, while he said in later life that he had posed for the photograph, his name wasn’t recorded at the time.) Some early Cream of Wheat ads doctored the photograph in racist ways or used racist language, but the photograph as used here is, for the time, an unusually realistic depiction of an African-American.

***Jap Rose soap had a racist name but gorgeous illustrations.

****I wondered about Djer-Kiss, the unusually named French perfume. Unlike Bozart rugs and Talc Jonteel, it isn’t a fractured French spelling. These people, who have given considerable thought to the matter, aren’t sure what it means either, although they provide interesting information about the Parisian company that produced Djer-Kiss.

*****This is, if memory serves, the first celebrity endorsement I’ve seen.

The best and worst of December 1918: Book talk, strewn violets, a sad loss, and a magazine of the future

2018 is over!

I should have anticipated that this would happen eventually, leaving me with a blog title and tag line that make me look like I can’t do simple arithmetic. When I started this project last January, though, the end of the year seemed so far off that it wasn’t worth thinking about. To the extent that I envisioned 2019 rolling around, I imagined myself luxuriating in all the reading I’d missed out on—diving into the new books that have been waiting on my bookshelf

Photograph of a pile of books

and reading frivolous lifestyle articles, which 1918 was woefully short of. Maybe taking a quiz to find out what Hogwarts house I belong in or what Jane Austen character I resemble.*

What actually happened: I got stuck, like someone in a science fiction story who invents a time machine that breaks down as the dinosaurs are descending. I couldn’t bring myself to read any of those new books, not even the biography of food safety pioneer Harvey Wiley, one of my favorite 1918 people. (That’s it at the top of the pile.) I did look at the New York Times headlines on my iPad on New Year’s Day, but they freaked me out. “What is all this news?” I asked myself. “And what does it have to do with me?” So I retreated to the January 1, 1919 news and My Antonia.

It looks like it will take a while. Maybe I’ll read The Waste Land and work my way gradually back to the present.

In the meantime, from my cozy perch in 1918, here are the December bests and worsts.

Best quiz contestants:  

The winners of the “Are You a Stagnuck?” quiz: fellow blogger Deborah Kalb of Books Q&A with Deborah Kalb** and Barbara Dinerman. For their prizes, Deborah has chosen a copy of The Melting of Molly and Barbara has chosen My Antonia. Congratulations to both of these loyal readers! You are not Stagnucks at all. The answers will be posted below the quiz soon. (UPDATE 1/11/2019: You can find them here.)

Best magazine:

Front page header for The Bookman magazine, December 1918

Up to now, four magazines have won the Best Magazine award: The Crisis (three times), The Little Review (twice), The Dial, and The American Journal of Insanity. But the magazine that I turned to most eagerly every month, the one that became my 1918 comfort read, never won the honor. In fact, I came close to naming it Worst Magazine one month, after an ownership change that seemed likely to send it down the tubes.

I’m happy to say that The Bookman’s wonderful December 1918 issue richly deserves the honor.

It began unpromisingly, with a profile of the editor of The Saturday Evening Post and a 15-page article called “The Amazing Story of the Government Printing Office.”*** But then things started looking up, with a Sara Teasdale poem and an interesting article by British war poet Robert Nichols called “To the Young Writers of America,” in which he discusses British taste in American books and vice versa, and notes that up-and-coming poets Robert Frost and T.S. Eliot**** were published in England before they were published in the United States. The highlight for me was when he said that

a certain American poet, come to live among us, antagonized the majority of those who were longing to hear what the real American poets were doing. I will not advertise his name. He does not need my help. He is an adept.

Well, I’ll advertise it: it must be Ezra Pound. I love feeling like a 1918 insider.

Then there was Margaret Ashmun’s Christmas round-up, including several gorgeously illustrated children’s books I mentioned in the 1918 Holiday Shopping Guide,

Harry Clarke illustration from Fairy Tales by Hans Christian Anderson, 1916. People in formal dress.

Fairy Tales by Hans Christian Andersen (1916)

and a fascinating set of articles on children’s literature around the world by writers from England, France, Holland, Spain, and Scandinavia. I was so riveted by the history of children’s books in the Netherlands that I looked up the writer, Hendrik Willem van Loon, who turns out to be the author of The Story of Mankind, which won the first-ever Newbery Award in 1921.

Illustration from Twin Travellers in South America by Mary H. Wade. Boy and girl outside house with parrot.

Frontispiece, Twin Travellers in South America, by Mary H. Wade

In an article about children’s holiday books, Annie Carroll Moore test-drives them on an actual child, nine-year-old Edouard–an ingenious gimmick in an era when gimmicks were sorely lacking.

“Twin Travellers in South America” looked promising but failed to hold his interest for more than a hasty glance at the pictures. “I think my teacher would like that book because it seems like a geography trying to be a story.”*****

And there’s a review of Booth Tarkington’s The Magnificent Ambersons by H.W. Boynton, who feels exactly as I do about it:

I take pleasure in the book, I suspect, because it covers vividly the range of my own generation and yields the atmosphere of and color of that “middle distance” which, as one emerges from it, is wont to be as blurred and insignificant to the backward eye. And I close the book with the queer feeling that everything about it is true except the central figure.

He reviews My Antonia too, but I’m saving that until I finish the book.

Okay, enough Bookman love–on to rest of the best (and worst).

Worst loss to criticism

Portrait photograph of Randolph Bourne.

Randolph Bourne, date unknown

One of the highlights of my 1918 reading has been Randolph Bourne’s criticism in The Dial. He was modern without (like Ezra Pound) descending into incoherence, hard-headed without (like H.L. Mencken) crossing the line to nastiness. At 32, he had a bright future ahead of him. Or he would have, if he hadn’t fallen victim, after suffering from chronic health problems and disabilities throughout his life, to the influenza epidemic. He died on December 22, 1918.  His last essay for The Dial, published on December 28, was a rapturous review of Lytton Strachey’s Eminent Victorians. It ends as follows:

The book runs over with good things. One closes it with a new sense of the delicious violence of sheer thought. If there were more Gideons like this, at the sound of such trumpets all the walls of the Victorian Jerichos would certainly fall.

I wish he had lived to leave us his thoughts on the explosion of literary talent that would emerge after the war.

On a more cheerful note…

Best nostalgia-inducing headline:

President Wilson arrives in France, and the crowds go wild. Like, strewn violets wild. Sigh.

New York Times headline, December 15, 1918, Two Million Cheer Wilson. Includes subhead Flowers Strew His Path.

New York Times, December 15, 1918

Best Christmas present:

Because what says “Christmas” better than not executing someone for exercising their First Amendment rights?

December 17, 1918 New York Times story President Saves Soldier. Wilson commutes death sentence for disobeying orders.

New York Times, December 17, 1918

Worst Christmas present:

Because what says “Red Cross” better than a basket of tobacco?

December 10, 1918 New York Times story about Red Cross workers giving baskets of ciagrettes to returning soldiers.

New York Times, December 10, 1918

Best judicial decision:

Most 1918 judicial decisions were pretty appalling, but I can get behind Johnson v. Johnson.

December 16, 1918 New York Times item about judge ruling that wife's refusal to cook meals does not justify assault.

New York Times, December 16, 1918

Worst praise for a leader during a political campaign:

Excerpt from December 15, 1918 New York Times story saying Lloyd George was called a real spark of radium at a meeting.

New York Times, December 15, 1918

Best sinister stratagem:

Cordiality! Those dastards!

December 15, 1918 New York Times headline reading in part Germans' Cordiality to Army Believed to be a Peace Strategem.

New York Times, December 15, 1918

Worst journalistic flat-footedness:

World War I, as you undoubtedly know, ended on November 11, 1918. Some monthly magazines were on it, like The Crisis

Editorial page of The Crisis, December 1918, with editorial titled Peace.

and Poetry.

First page of Poetry Magazine, December 1918, with poem titled Peace.

Others missed the boat. The Atlantic Monthly was full of war articles with titles like “Morale” and “Impressions of the Fifth Year.”  St. Nicholas published its monthly update on how the war was going, with one line at the top saying, oh, wait, we won.

Header in December 1918 St. Nicholas with sentence announcing the war is over.

St. Nicholas, December 1918

And if you look closely at these festive stamps in the Ladies’ Home Journal to paste onto your letter to your boy or girl in service

Page of stickers in December 1918 Ladies' Home Journal.

Ladies’ Home Journal, December 1918

you’ll find this

Sticker reading 1919 on the Kaiser's Chest with picture of happy sailors sitting on a chest.

and this.

Sticker reading It's war this Christmas, but wait till next year.

Best caption on an illustration:

Phillisy sidled up to her Aunt Marion, intent on a Red Cross sweater. “So,” she asked, “can people come alive when they’re dead?”

Illustration from December 1918 Sunset magazine. Woman knitting outdoros with girl standing next to her.

Sunset, December 1918

Best cartoons:

I love both of these Christmas-Eve-in-the-village scenes by Johnny Gruelle of Judge (the creator of Raggedy Ann and Andy) and Harrison Cady at rival humor magazine Life.

December 28, 1918 Johnny Gruelle Life cover titled Christmas Eve at Yapp's Crossing.

Judge, December 28, 1918

December 5, 1918 Harrison Cady Life illustration showing snowy village.

Life, December 5, 1918

Curious about who drew this charming Life cartoon, I blew it up to to 800% of its size and managed to read the signature: Rea Irvin, who later became a New Yorker cartoonist and created the magazine’s mascot, Eustace Tilley.

Rea Irvin cartoon in Life, December 5, 1918. Butler bringing lump of coal on tray into living room.

Life, December 5, 1918

Worst cartoon:

With the Huns out of the picture, the cartoonists need a new scary-looking villain. Sounds like a job for…the Bolsheviki!

Judge cartoon, December 7, 1918 showing monstrous man about to attack little boy with caption about Bolsheviki.

Judge, December 7, 1918

Best ad (magazine)

Murad generally owns this category******

1918 Murad cigarette ad showing Santa with giant box of Murads in his sack.

Life, December 19, 1918

but is edged out this month by rival Turkish cigarette Helmar.

1918 Helmar cigarette ad saying Helmar Turkish cigarettes with each letter colored with a country's flag.

Judge, December 28, 1918

Best ad (newspaper)

Newspaper ads are rarely interesting, but I did like this one. I’m unclear on the purpose of the electric vibrator that the woman on the right in the second row is using on her head.

1918 ad for New York Edison titled Give Something Electric with cartoons of people using electrical appliances.

New York Times, December 20, 1918

Worst ad:

In another month it might have been this,

1918 ad for Restgood mattress with headline Curled Hair: The Natural Mattress Filler.

Sunset, December 1918

or this,

1918 ad for Radioc with headline Radium and Hair Health.

New York Times, December 17, 1918

but this was the month of

1918 Nashua Woolnap ad showing child in bed aiming rifle at owl.

Ladies’ Home Journal, December 1918

so it was no contest.

Best magazine covers:

There was surprisingly little Yuletide festiveness on the December magazine covers, perhaps due to bet-hedging on the war.

Vogue upheld its usual high standard with two beautiful covers.

Helen Dryden Vogue cover, December 15, 1918. Woman reclining on bed with colorful cushions in front of open window.

Vogue, December 15, 1918

Vogue 1918 Christmas Gifts number cover. Woman on Juliet balcony waving garlands.

Vogue Christmas Gifts Number, 1918

Erté finally turned up again after several months of covers that are lost to history, or at least to the internet.*******

Erté December 1918 Harper's Bazar cover illustration, woman in pink coat in snow.

Harper’s Bazar cover illustration, December 1918, Erté

House and Garden featured this snowy scene.

House and Garden December 1918 cover illustration. Gray house with pink roof, footprints in snow.

Artist William Edouard Scott was back with another luminous painting on the cover of The Crisis.

The Crisis December 1918 cover. William Edouard Scott painting The Flight into Egypt. Black family next to river with lamp.

And I loved this Vanity Fair cover,

Vanity Fair December 1918 cover, colorful cartoon of crowd of happy soldiers.

which might have won, but then I remembered this Dada 3 cover, which was featured in the post on my sad 1918 love life. With the war over, it’s a new era, with a new, sometimes anarchic, aesthetic emerging. And nothing looks more like that future than

Cover of Dada 3, December 1918 with caption reading Je ne veux meme pas savoir s'il y a eu des hommes avant moi.

On to…1919!!!!!!

*Although I don’t need to; I know I’m a Ravenclaw and, like everyone else, Lizzie.

**You should check out her website, which features interviews with a huge number of authors (although none from 1918).

***Which, it turns out, is so amazing that the story continues in the January 1919 issue.

****What The Bookman had to say about Eliot under the previous ownership: “There is such a display of cynical cleverness in the verse of T.S. Eliot that I think he might be able to write almost anything except poetry.”

*****Edouard was right. A sample of the twins’ childish prattle: “‘Why, that must be a mataco,’ he said. ‘It’s a kind of armadillo. See, it has rolled itself into a ball for safety. Matacos always do that when they think danger is near. With its head hidden and its jointed shell curled around, it now feels quite safe.'”

******Fun fact: cartoonist Rea Irvin was a Murad illustrator.

*******I couldn’t find an undamaged copy of the actual cover–this is a reproduction of the illustration.

 

New review on the Book List:

December 31: Renascence and Other Poems by Edna St. Vincent Millay (1917).

The best and worst of November 1918: Fake and real armistices, osculation, and meat we’ll learn to like

With the centenary of the Armistice approaching, I wanted to celebrate, but how? I couldn’t find any planned events for Remembrance Day (as it’s called in the Commonwealth) here in Cape Town.* But I knew that veterans lay a wreath at the war memorial every year, so I figured they’d be doing something special for this one. I arrived at 10:30 and found marching bands marching, bagpipers piping (oddly, “Sarie Marais,” an anti-British song from the Boer War) and a big tent full of people. A young woman gave me a paper poppy.

Marching band in Cape Town.

There were prayers, hymns, and a speech by Deputy Mayor Ian Neilson, my old friend from Pretoria in the late eighties. (South Africa can be small-towny like that.) How to celebrate an event like this, in the presence of both current soldiers and elderly white veterans who won their medals doing who knows what, is always a fraught question in South Africa. Ian hit just the right note, highlighting the contributions of black soldiers in South Africa and the United States for whom the Allied victory didn’t bring freedom.

At 11:00, the hour of the Armistice, there was a two-minute silence, a tradition that, it turns out, originated in Cape Town. Representatives of diplomatic missions and veterans’ groups laid wreaths on the monument, and afterwards the rest of us were given white roses. Here’s where I placed mine, thinking about the soldiers I’ve gotten to know in my year of 1918 reading, many of whom who didn’t make it home.

Wreaths at base of monument.

Now on to the best and worst of November.

Best fake news: Allies win the war!

New York Evening World headline, War Over.

New York Evening World, November 7, 1918 (Library of Congress)

What’s fake about that, you may be asking. Well, check the date.

In one of the most monumental screw-ups in the history of journalism, the United Press Association (which later became the UPI) reported on November 7 that the war had ended. According to a gloating report in the New York Times, which didn’t run the erroneous story, reporters mistook a ceasefire in an area where French and German officials were meeting for the end of the war. The censors, who were responsible for weeding out secrets, not errors, OK’d the story, and the agency cabled its headquarters. Which didn’t bother to check with officials in Washington, the attitude being “What do they know?” Newspapers rushed out extra editions.

New York Times headline, Lansing is Swift to Deny Tale.

New York Times, November 8, 1918

Secretary of War Baker said this was news to him, and Secretary of State Lansing checked with Paris and issued a denial, but no one cared. New Yorkers poured onto the streets. In Washington, newspapers were dropped from helicopters. (CORRECTION: From an airplane. As an alert reader has pointed out, helicopters weren’t invented yet.) 1,500 women workers from the State and War Departments, who apparently didn’t take their bosses any more seriously than anyone else did, rushed over to the White House, where they waved American flags and cheered President Wilson.**

Later that night, when word spread that the war was in fact still going on, a lot of people were too drunk to care.

New York Times text, But there were others...

New York Times, November 8, 1918

Luckily, only four days passed before the…

Best real news: Allies win the war!

New York Times Armistice headline.

Or, more succinctly and colorfully,

Los Angeles Times headline, PEACE.

I worried about the fake victory celebration putting a damper on the real victory celebration, but that was just me being a gloom:

New York Times text, The glooms who said that New York...

New York Times, November 12, 1918

People went wild with joy all over again.

New York Times text, In such a few minutes that it was almost beyond belief...

New York Times, November 11, 1918

What persons were these, I wondered. Three-day-old persons? But the premature celebration had vanished from everyone’s heads, apparently.

New York Times text.

New York Times, November 11, 1918

Osculation ensued!

New York Times text, The soldier or sailor...who had got through yesterday inosculate...

New York Times, November 12, 1918

Best cartoon:

I only kind of get this Harry Gant Dart cartoon–something about the Germans not being in control of their own country anymore–but the drawing is amazing and it’s a refreshing change from all the cartoons about people hanging and strangling the Kaiser.

Cartoon of Berlin full of foreign people, stores, etc.

Judge, November 30, 1918

Best illustration:

Amid the celebration, a reminder of the conflict’s cost.

Painting of battle at Cantigny.

Frank E. Schoonover, Ladies’ Home Journal, November 1918

Worst Thanksgiving celebration:

New York Times headline, Day's Cheer for Wounded.

New York Times, November 29, 1918

According to the New York Times, New Yorkers were eager to entertain the troops, including 750 convalescent and wounded soldiers who had returned from France during the week and were quartered at Debarkation Hospital No. 3 at 18th Street and 6th Avenue. Between them, they had received 1,400 invitations–two each! Lavish dinners and theater tickets had been laid on. But, when their uniforms returned from the sterilization department and the soldiers “prepared to don them to sally forth to the feasts,” it turned out that they had  shrunk beyond recognition. A “big soldier,” presented with his outfit, declared it a “Boy Scout uniform.”

Many unsuccessful efforts were made by others to wear the shrunken military garb, and, of course, regulations barred them from appearing on the streets in any other clothes.

An emergency order went out, and 125 uniforms were procured. What to do with the rest of the soldiers? Waive the regulations in appreciation of the sacrifices they had made in securing the biggest military victory of all time? Don’t make me laugh!

The fortunate wearers of these went forth, while the others, grumbling at their ill-luck, reclothed themselves in pajamas and hospital blankets.

Thank you for your service, boys!

Worst Meats:

The headline had me worried

Headline, The New Meats That We Shall All LIke When We Learn to Use Them.

Ladies’ Home Journal, November 1918

and the illustrations confirmed my worst fears.

Illustration captioned Meaty Little Pork Snouts Served with Green Peas

Worst ad:

Since you didn’t die in the war…

Murad cigarette ad with Allied soldiers smoking.

Judge, November 9, 1918

Worst magazine cover:

Like I said, not a fan of the Kaisercide trope.

Maclean's magazine cover, soldier strangling Kaiser.

Best magazine cover:

I like this George Wolfe Plank Vanity Fair cover a lot,***

Vanity Fair cover of society women whispering to other woman.

and also the crisp, clear lines of this one from Golfers Magazine,

Golfer's Magazine cover of woman with golf bag.

but the best cover award has to have something to do with what happened during this momentous month.

This J. C. Leyendecker Saturday Evening Post cover is wonderful, but I’ve already given it enough love.****

Saturday Evening Post cover of soldier walking turkey.

I was just about to bestow the award on Norman Rockwell’s joyful soldiers on the cover of Life

Norman Rockwell Life magazine cover of smiling soldiers, 1918.

Life, November 28, 1918

when I thought, “Wait, what about Vogue?”, and found the winner, this gorgeous, understated Georges Lepape cover:

Georges Lepape cover of woman holding up heart, caption Le Coeur de la France, 1918.

Vogue, November 15, 1918

On to—can it be?—December!

*Of course, only reading news from 100 years ago didn’t help.

**This item, which I cribbed from Whatever It Is, I’m Against It, makes me blush on behalf of my fellow women State Department workers.

***If you’re wondering what’s happened to Erté, there aren’t any copies of the October and November 1918 issues of Harper’s Bazar, or even the covers, anywhere on the internet as far as I can tell.

****Fun fact: the soldier is Neil Hamilton, who later played Police Commissioner Gordon on Batman.

My Year in World War I: A Centenary Reflection

For someone who decided  of her own free will to spend this year reading as if I were living in 1918, I have a curious aversion to reading and writing about World War I.

Part of it goes back to my education. In the seventies, when I was in school, battles and the like were out of fashion among history teachers. It was all cause and effect—the assassination of Archduke Ferdinand one day, Versailles the next.

Also, there’s a horrible, reactionary part of my brain that, when faced with a lengthy article by the New York Times’ military critic* about the Meuse-Argonne Offensive, says, “Battles are for BOYS!” Believe me, I know how crazy this is. Just within the community I’ve become a part of through this project, Connie Ruzich has been telling the story of World War I through its—often horrifyingly graphic—poetry and Pamela Toler has a book coming out in February on women warriors through the ages. Not to mention Barbara Tuchman, author of The Guns of August, one of the classics of World War I history.** Which I actually have read. Even so, battles aren’t, and never will be, my thing.

An article I didn’t read, New York Times, October 6, 1918

In my post-college years, I learned about the war through novels like All Quiet on the Western Front and A Farewell to Arms and memoirs like Vera Brittain’s Testament of Youth. These left me with a clear sense of the traumatic effects of the war but a sketchy knowledge of how it actually transpired.

Now, on the 100th anniversary of the war’s end, I still can’t tell you how it played out French town by French town, but I have a better understanding of what happened during its last year, both on the battlefield and back home (mostly in the United States***). Here’s some of what I’ve learned.

First of all, the Americans got off to a sloooooow start. I’d always had the idea that the Doughboys showed up in 1917, went to the front to replace the depleted French and British forces, and saved the day.

 

Well, not so much. Or not so quickly, anyway.

To begin with, the United States didn’t have an army that was up to the task; American soldiers needed a huge amount of training. The U.S. declared war on Germany in April 1917, but American troops didn’t arrive in France in large numbers until almost a year later. When they arrived they were clueless,

Judge magazine, January 19, 1918

but cocky.

Judge magazine, January 19, 1918

Observers were unimpressed, if this AP report from the American sector, which I’m surprised made it past the censors, is anything to go by:

New York Times, February 21, 1918

A few American soldiers had prior combat experience from fighting with British or French forces. One of them, Captain Jimmy Hall, was shot down in May 1918, just as he was finally able to fly under American colors, and presumed dead. He survived, though, and was captured by the Germans. Hall went on to co-author Mutiny on the Bounty with fellow former aviator Charles Nordhoff.

James Hall in the Lafayette Escadrille, 1917

The U.S. armed forces were segregated, and most African-American units were led by white officers. A few African-Americans received commissions, though, including Benjamin O. Davis, a Spanish-American War veteran who was promoted to lieutenant colonel in 1918 (for the duration of the war, anyway—his rank later reverted to captain). Davis went on, during World War II, to become the first African-American general in the U.S. armed forces. His son, Benjamin O. Davis, Jr., was the first African-American general in the Air Force.

Benjamin O. Davis, 1901

On the logistical side, America’s entry into the war was a colossal screw-up. The United States wasn’t producing many weapons or planes, and a fuel shortage, exacerbated by one of the coldest winters on record, slowed the shipment of what military equipment had been produced. In January, Fuel Administrator Harry Garfield took the drastic step of ordering all industry east of the Mississippi to shut down for a week, and then for the next five Mondays. There was grumbling, but surprisingly no one questioned whether closing down the country was in the fuel administrator’s job description.

Springfield (OH) Daily News, January 19, 1918 (clarkcountyhistory.wordpress.com)

Meanwhile, Food Czar Herbert Hoover, who had gained celebrity status by organizing relief efforts in Belgium,**** was coordinating a food conservation campaign focused on “wheatless Wednesdays” and “meatless Tuesdays.” “Hooverize!” was the watchword.

U.S. Food Administration poster, John Sheridan, 1918

Anxiety over German spies was high.

Life, March 14, 1918

A few real ones, like 23-year-old spy ring leader Despina Storch, were rounded up, along with a lot of people who had committed “crimes” like painting pencils a treasonous color.

New York Times, July 6, 1918

Women took over men’s work,

Life magazine, August 22, 1918

although they were reminded not to get too attached to their “war jobs,”

Ladies’ Home Journal, June 1918

and thousands of American women served in Europe in military or civilian roles, most of them as nurses.

Carl Rakeman, 1918

Americans took the war with deadly seriousness. “Slackers,” as draft evaders were known, were widely condemned,

Sheet music, 1917 (Library of Congress)

and pacifists were vilified. The staff of The Masses, a socialist magazine that was shut down in 1917, went on trial twice in 1918, charged under the Espionage Act with conspiracy to obstruct military recruitment. Both times, the jury was unable to come to a unanimous decision and a mistrial was declared. Art Young, one of the defendants, sketched the proceedings for The Masses’ successor, The Liberator.

Art Young, The Liberator, June 1918

But just because war is a serious business doesn’t mean there’s no room for humor. Lt. Percy Crosby’s Private Dubb was a big hit,

That Rookie from the 13th Squad, Percy L. Crosby, 1918

as were Edward Streeter’s***** “Dere Mable” letters, supposedly written by semi-literate soldier Bill to his girlfriend back home.

Illustration from “Dere Mable” by G. William Breck, 1918

Once deployed, Dubb, Bill, and their compatriots rose to the task. American casualties mounted sharply as the Allied troops fought back the last German offensive in the Battles of Meuse-Argonne, which began on September 26 and lasted until the armistice. This remains the deadliest battle in United States history–26,277 American lives lost.

American soldiers, Argonne forest, September 26, 1918 (AP)

American participation in World War I didn’t last long enough to produce a literature equivalent to that of the British war poets, whose ranks included Rupert Brooke (who died in 1915), Wilfred Owen (who was killed a week before the war’s end), and Sigfried Sassoon (who survived). American veterans like Ernest Hemingway (who was seriously wounded while serving in Italy as an ambulance driver) and F. Scott Fitzgerald (who was commissioned but never made it overseas) would make their mark writing about the scars the war left on their generation.

Ernest Hemingway, Milan, 1918

Some American voices of the war stay with us, though. American Alan Seeger, who fought with the French Foreign Legion and was killed in 1916, left behind his poem “I Have A Rendez-Vous with Death.”

Francis Hogan (behindtheirlines.com)

I’ll end with a poem that is not as well-known but that has stayed with me since I read it, toward the beginning of this project, in the February 9, 1918, issue of The New Republic.

Corporal Hogan was killed on October 18, 1918, 24 days before the Armistice. He was 21 years old.

*An actual job title.

**Or all the women who have actually fought in battles, like Maria Bochkareva and the Battalion of Death.

***This is as good a place as any to point out that the America-centrism of this blog is not just because I’m American, it’s also because of differences in copyright laws that make American publications from 1918 more available than publications from other countries.

****1918 being an era when fuel administrators and relief coordinators and food safety scientists were celebrities.

*****Streeter later wrote the novel Father of the Bride.

The best and worst of October 1918: Beautiful children, dubious remedies, and (sigh) fall colors

In the past, I’ve reflected cheerfully on how fast 1918 is flying by. Now, with two months to go, I do so with a sense of panic. I haven’t read The Magnificent Ambersons, or The Education of Henry Adams,* or any South African books, or anything in a foreign language except some French poems in The Little Review, or any children’s books except E. Nesbit’s disappointing The Railway Children. I blithely promised in my first post that “I’ll read magazines, watch movies, listen to music, and cook recipes from that time.” Well, I’ve read a lot of magazines. Much to be done in the next sixty days!

But first, the best and worst of October.

Best news:

It’s a tie among pretty much all of the front-page New York Times headlines of the month, with the Germans retreating so fast that in some places the Allies can’t keep up with them.

New York Times, October 31, 1918

Worst news:

Authorities keep saying that the worst of the Spanish influenza epidemic is over, but they keep being wrong. This is a hard story to follow if you’re not reading historical accounts, but my fellow 100-years-ago blogger Whatever It Is, I’m Against It is on the job. He’s been tracking the coverage of the epidemic in the New York Times from the beginning, as well as highlighting the ridiculous ads touting the purported flu-preventing qualities of various products, like this one, which I saw in the Times and was going to use myself so it isn’t copying:

New York Times, October 23, 1918

Best magazine: The Crisis

For its annual children’s issue, The Crisis asked readers to send in pictures of their children. 70 of them appear in the magazine. Under one group of pictures is the caption, “Would not the world be richer if the Gates of Opportunity were flung wide before these children as they grow?”

The Crisis, October 1918

In a story called “Race Purity,” a little boy, apparently African-American, hits a little girl, apparently white, in the face. A man passing by calls him a “d-mn little [n-word] and gently tells the girl to go home, saying, “I’d like to see that mother of yours that allows you to play with—.” The girl gasps through her tears, “he’s my bru-vv-er.”

W.E.B. du Bois, his wife Nina, and their son Burghardt, ca. 1898

Du Bois imagines his only son, Burghardt, who died as an infant, as “a ghost boy—just twenty-one he would have been last May,” gone off to the war. “It was not given to this my boy nor yet to me to go in the flesh; but he went dead, yet dreaming, and I dream-drunk, and yet alive, albeit with twitching, hanging hands.”

Best-sounding new novel: Strayed Revellers, by Allan Updegraff

The Bookman says of this book by Updegraff, a college buddy of Sinclair Lewis, that

his theme is very new, showing what the war did to a group of Greenwich villagers, extremely gay ones, who kill themselves, admit carelessly to illegitimate parents, get drunk on water and gelatin and lead a wild life generally.

 I’m sold!

 Worst new novel: Strayed Revellers, by Allan Updegraff

But then I pulled up the book on Hathitrust and flipped to the last page, which features a guy mansplaining anarchism to our heroine, Clothilde:

“The name’s filthied by men who care more for their individual stomachs and unwashed hides than they do for No-Rule. And it’s Socialism, too,–since they have a regard for the social will, as well as for their own individual wills—even though the name ‘Socialist’ has been so dirtied by men whose social instincts stop with the attainment of personal safety and a two-cent drop in the price of soup-meat, not to mention the dirtying done by rank pro-Germans, that real Socialists will probably take a new name after the war.”

No amount of getting drunk on gelatin is worth this. Run, Clothilde!

Worst headline:

Woman’s Home Companion, October 1918

So smack them!

Best ad:

This is one of the least attractive ads I saw all month. But it caught my attention, all right. And it represents the direction advertising is moving in–good-bye beautiful artwork, hello gimmicks!**

Delineator, October 1918

Worst ad: 

Hey, little kids! Murder! Rape!***

St. Nicholas magazine, October 1918

Best magazine cover:

Lots of worthy candidates.

I always have a weakness for a hardworking farmerette.

An appeal to kids’ patriotism at a time when the government seemed worried that the Allies were winning the war so fast that people wouldn’t want to fund it.

This because it’s, well, beautiful:

As is this.

In the end, I had to declare a tie, because I couldn’t bear to choose between this one

and this one, which makes me wistful from my perch in Cape Town, where it’s spring now. And even our backwards April autumns don’t have colors like this.

Worst magazine cover: Maclean’s

 Not doing much to counter the boringness image, Canada!****

On to November!

*Not my fault because, annoyingly, both of these American classics were published in late October.

**This is also, as it turns out, the cover image on the Spanish translation of Ring Lardner, Jr.’s memoir I’d Hate Myself in the Morning.

***Besides, the ad is all about how horrible the Turks are. It’s as if the copywriter forgot that that the U.S. never declared war on Turkey and then when he remembered hastily stuck something at the end about how the Germans are even worse.

****Especially since the most prominently featured boring story isn’t even in this issue, it just “starts soon.”

Book Review: The Return of the Soldier by Rebecca West

As I’ve mentioned, I’ve been trying to pay more attention to World War I as the centenary of the armistice approaches. So I put aside Virginia Woolf’s The Voyage Out, which is excellent but pre-war and also loooooong*, and picked up Rebecca West’s 1918 novel The Return of the Soldier, which is war-related (well, sort of, see below) and short (90 pages).

Rebecca West, The Independent, April 13, 1918

Rebecca West (real name Cicely Isabel Fairfield) was already a fixture on London’s cultural scene when she published The Return of the Soldier, her first novel, at the age of 25. Born into an intellectual but financially struggling Anglo-Irish family, she had a brief career as an actress (her pseudonym came from an Ibsen play) before turning to literary criticism. She and H.G. Wells met like characters in a romantic comedy—she panned a book of his, calling him “the Old Maid among novelists,” and he requested a meeting. This led to a long affair with Wells, who was married and 27 years older. They had a son, Anthony, born in 1914. To disguise his illegitimacy, West made him call her “Auntie” and Wells “Wellesie” during his early years, and she sent him to boarding school at the age of three. Perhaps not surprisingly, he and West ended up estranged. West went on to have a highly successful career as a journalist and writer of fiction and nonfiction. Her best-known work today is her monumental book on Yugoslavia, Black Lamb and Grey Falcon.

Rebecca West and her son Anthony, ca. 1918

The Return of the Soldier tells the story of Chris, who is sent home from the war when a shell explodes and wipes out his memory of the last 15 years, during which he married and lost his only child. It’s narrated by Jenny, Chris’s cousin and ardent admirer, who for unexplained reasons lives with him and Kitty, his wife, on their vast estate. Chris, in his damaged mind, is living in the happiest period of his life, when he was in love with Margaret, the daughter of the proprietor of a charmingly ramshackle inn. He insists that he must see her or die. Jenny is afraid he’ll be shattered when he encounters present-day Margaret,

repulsively furred with neglect and poverty**, as even a good glove that has dropped down behind a bed in a hotel and has lain undisturbed is repulsive when the chambermaid retrieves it from the dust and fluff.

But he loves her as much as ever and spends his days wandering around his estate with her, lost in his happy youth, while Jenny and Kitty agonize about how to bring him to his senses.

Illustration from “The Return of the Soldier,” Norman Price

As I read the first few chapters, I marveled that The Return of the Soldier, which received generally ecstatic reviews at the time of publication, is not better known today.*** Jenny’s initial visceral dislike of Margaret, she of the creaking stays and cheap plumes, says as much about the British class system as a Dickens novel. Speaking of her and Kitty’s sadness about Chris’s affliction, Jenny says that

grief is not the clear melancholy the young believe it. It is like a siege in a tropical city. The skin dries and the throat parches as though one were living in the heat of the desert; water and wine taste warm in the mouth and food is of the substance of sand; one snarls at one’s company; thoughts prick through one’s sleep like mosquitos.

Illustration from “The Return of the Soldier,” Norman Price

As I continued reading, though, the book’s flaws emerged. West was attempting to incorporate recent psychological discoveries into the story, but her account of Chris’s mental state ring false to the modern reader. His recent memory is completely wiped out, but beyond the 15-year gap it’s intact—he’s exactly the happy lad he once was. Later critics pointed out that this condition, however common it may be in the movies, doesn’t exist in real life.**** The way his amnesia is resolved (I won’t give spoilers, but you can look it up in the book’s Wikipedia entry if you’re curious) is equally dubious. This is the problem with novels that are based on psychological theories: psychology moves on and the novel remains full of discarded ideas about how the mind works.

Also, The Return of the Soldier isn’t really about the war at all. With Chris’s memory of his time at the front wiped clean and Jenny and Kitty living in sheltered luxury, the conflict doesn’t directly enter their lives. Aside from the implication that trauma might have played a role in Chris’s amnesia, and Kitty and Jenny’s anxiety about him being sent back to France if cured, the book could as easily have been called The Return of the Guy Who Fell off a Horse and Hit His Head.

In spite of these flaws, The Return of the Soldier is worth reading for its excoriating depiction of the British class system, its evocation of a lost world, and, above all, West’s wonderful writing.

(I read the Penguin Classics edition, which is pricey for a 90-page paperback but otherwise recommended.)

Illustration from “The Return of the Soldier,” Norman Price

*422 pages, which might not strike you as exceptionally long, but the median length of the books I’ve read for this project is about 100 pages, so I’ve developed a short attention span.

**In that early 20th century British sense of having only one servant.

***Not that it’s forgotten, exactly. After fading into obscurity even as West’s career took off, it gained a new readership when it was made into a film in 1982. It has fared much better than May Sinclair’s equally well-received 1917 war novel The Tree of Heaven, which is out of print today. (Both were named Book of the Month by the North American Review, a prominent literary journal.) Still, it’s hardly a fixture in the modernist canon.

****At least one critic at the time did as well—Dora Marsden of The Egoist. “As a tale of human emotion it is altogether quite indecently unjust,” she said in the magazine’s October 1918 issue. Marsden was preoccupied with the nature of consciousness, about which she wrote long, incoherent articles for the Egoist, which she founded and where T.S. Eliot served as literary editor.